Today, new truck buyers choose from a limited selection of paint options, typically including variations of black, white, silver, and occasionally a subdued metallic champagne, burgundy or navy blue. However, this wasn't always the case. Back in 1969, even utilitarian pickup trucks were available in a wide range of vibrant hues such as bright red, orange, yellow, olive green and turquoise. They may not be available anymore, but these exciting colors proved that even if you needed a work truck, it certainly didn't have to be boring.

The term "bubble top" has become a catch phrase in the Impala restoration community, and we often hear people asking what it really means. Take one look at the rounded roof of this 1961 Impala coupe, and you'll start to understand. The curved glass, smooth lines, and lack of B-pillars cause this car's roof to appear similar to a bubble, hence the name. The term became especially important one year later in '62, because GM produced a select few Impalas with leftover '61 "bubble" tops before transitioning to the more angular "crinkle top" later that year.

One of the things we love about classic cars is their ability to instantly transport you back in time. They remind us of different periods of our lives, and different periods in our country's history. This 1964 Chevy truck, for example, takes us back to a time when pickup truck design (and car design, for that matter) was changing dramatically. This period marked a transition from the sleek aircraft-inspired style of the '50s to the more angular designs of the '70s. This '64 model exhibits characteristics from both eras, but still manages to blend them seamlessly into a style of its own.

In today's world of extremes, subtlety is an often underrated trait. When it comes to automotive restoration, there's certainly nothing wrong with building a vehicle that turns heads everywhere it goes, but sometimes it's nice to fly under the radar. Tony Pellegrino, the owner of this 1972 GMC truck, wanted to build a pickup that featured tasteful modifications without going over-the-top. So, he chose a 3/4-ton C2500 long bed model with subdued white paint, and added a few parts to make it his own.

The '64 Impala is what a student of literature might call an archetype. This word is defined as "the original pattern or model of after which all others are based". Essentially, an archetype is something that perfectly exemplifies a certain purpose or style. So, what exactly does the '64 Impala exemplify? Lowriding. The '64 Impala has become so closely linked with lowrider culture, it's almost hard to see the car built any other way.

Here at Classic Industries, we see a wide range of customer cars, from modernized resto-mods to original-style restorations. Occasionally, however, we come across a car so pristine and original that it looks as if it just rolled off the showroom floor. Karen McDermott's '58 Chevy Impala is one such car. Its immaculate silver-blue metallic paint, glistening chrome, and multi-stripe blue vinyl interior instantly transport us back to the 1950s.

As classic car enthusiasts and restorers, our cars are often much more than simple machines or forms of transportation. Over many years, our cars take on personalities of their own and become irreplaceable parts of our lives—almost like members of the family. The '67 Pontiac Firebird seen here became a member of Tim Woolard's family back in 2000, during the midst of a stressful time in his life. Tim was acting as a caregiver for his ailing, elderly parents, and the restoration of his rusty old Firebird gave him an outlet for his near-overwhelming levels of stress.

If you owned an auto restoration shop, how would you advertise your skills? Sure, you could spend big bucks on billboards, TV commercials, and print ads, or you could cut to the chase and build a vehicle that shows off what you can really do. That's exactly what Edgar Hernandez did to promote his business, Starlite Rod & Kustom Shop, in Torrance, California. The slick customized '72 GMC C30 dually seen here is the result of his efforts. Even better, it's not just a show vehicle. It also serves as the parts hauler for the many restoration projects he works on.

If you imagine a muscle car, odds are that you picture something with wide tires, a loud exhaust, a huge motor, and aggressive styling cues. Although this traditional interpretation is undoubtedly cool, there are many ways that the idea of a muscle car can be interpreted. Here at Classic Industries, we love muscle cars of all shapes and sizes, and that's why Jack Petitt's refined take on a muscle car is so appealing to us. Jack restored this deep blue '69 Nova with the help of his daughter, and together they created a car that's as sophisticated as it is powerful.